Strange Tales from a Chinese Studio
Pu Songling’s tales of ghosts and demons were never really about ghosts and demons; they hold up a mirror to the human world, to greed, desire, and obsession, and beneath them runs a quiet critique of the society he lived in. The monsters are a reflection: what looks like a story about spirits reveals impulses that in fact live in all of us.
In a work that lays bare the darkness of human nature, I chose a flower-spirit, entering from the side of spirit rather than of ghost. She belongs to no single tale, but embodies the spirit of the world of Liaozhai, a world animated by the belief that all things are alive, that every flower and stone holds a soul of its own. And how, then, are we to look upon them?
